.... Sayaca.com.ar .....

01- Cada vez que me recuerdes (Mores/Contursi) 4:18
02- De barro (Piana/Manzi) 3:30
03- Los mareados (Cobián/Cadícamo) 2:51
04- Tristezas de la calle Corrientes (Federico/Expósito) 2:04
05- Soledad (Gardel/Le Pera) 4:36
06- Fuimos (Damas/Manzi) 4:50
07- Recién (Pugliese/Manzi) 2:21
08- Motivo de vals (Salgán/Bahr) 2:08
09- Tú (Damas/Contursi) 3:40
10- Uno (Mores/Discépolo) 4:07
11- Malena (Demare/Manzi) 3:48

Musicians
　 Sayaca：vocals
Diego Schissi: piano and arrangements
Carlos Corrales Trio
Carlos Corrales: bandoneon and arrangements
German Martines: piano for the trio
Igancio Varchausky: double bass and artstic production

Arrangements
Diego Schissi: arrangements for the piano (tracks 1.2.5.6.9.11)
Carlos Corrales :arrangements for the trio (tracks 3.4.7.8.10)

Staff
Artistic producer: Ignacio Varchausky
Executive producer: Sayaca
Executive coordinator: Gustavo Margulies

Recording engineer: Fabiola Russo
Mixing: Fabiola Russo
Mastering: Javier Cosentino and Fabiola Russo

Photography: Marcos Ruffo and Sayaca
Design: Calimera EDC
(Diego Mazzeo and Eric Brian Acevey)
Recorded at Estudios Cosentino, Buenos Aires, Argentina, between March and August of 2006
(Piano: Steinway & Sons Grand Cola "D")

Saia is Asian and you can tell that. Her tango is serene, but when she needs to express a dramatic lyric, she does it with certain passion and those are her best moments. Her decision to stay more time in Buenos Aires will continue to expose her to the special atmosphere of this place, which she needs. There's no doubt. I know her. She is tenacious and sensitive. The selection of repertoire for her album is very appropriate; classics as well as some that are not well-known, but they are all excellent. Simply put, she is very present in her singing. You have to listen to her.

Tango singer / ex-wife of A. Piazzolla - Amelita Baltar

There is no doubt that Sayaca is the best and the most personal tango singer that Japan has to offer since Ranko Fujisawa. She is an important contributor to the tradition of tango within Japan, which has existed for more than half a century, where there's been serious and continual study of the genre and where it's been performed more than any other country outside of Argentina.

Basist of 'El Arranque' / Producer
- Ignacio Varchausky

I liked Sayaca's CD very much. It impresses me how she has incorporated certain tango inflexions, which even many singers from Buenos Aires do not comprehend. This is an intelligent and sensitive album. She's honestly submerged us with her talent into another world, another culture.

Tango singer - Lidia Borda

Besides singing well and having a sophisticated technique, Sayaca approaches to tango with a respectable work and profound comprehension including that of the language. The album has an excellent production and I like it because it shows certain artistic risks with the result of making a notable find as in the version of 'Cada vez que me recuerdes'

Bandoneon player - Pablo Mainetti

I dedicate this CD to my grandfather. I arrived in Buenos Aires in August of 2002 with the idea of staying for a year and it has been four years already. I was very lucky to get to know those very special people whom I mentioned in the credits, people who have helped me with their love, with their friendship, and with their professionalism to make this album come true.
But it wasn’t only them. It was also the people on the street: the taxi drivers, the waiters at cafes, the people who work at bookstores or newsstands, all of them have contributed to my decision to stay here much longer than I originally had planned.
Moreover, it was the magic and the magnetism that this place called Buenos Aires has, where people taught me how to give and receive love, and where I’ve decided to follow this spiritual path to know who I really am.

Buenos Aires. . . It is really my second home, where a piece of my heart will always remain.

- August 2006, Saia